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Melissa McCarthy Sharks, Death, Surfers An Illustrated Companion Steering her analysis from the newspaper obituary in and out of literature and past cinema, Melissa McCarthy investigates a fundamental aspect of the human condition: our state of being between life and death, always in precarious and watery balance. Sharks, Death, Surfers: An Illustrated Companion observes how sharks have been depicted over centuries and across cultures, then flips the lens and dissects the cornea to consider what sharks see when they look back.

Katharina Schendl Ed. Notes on Contemporary Art in Kosovo This publication collects writings on the art scene of Kosovo over the past twenty years. In the s Kosovars felt the urgency to shape their own scene: in a search for identity, for nation building, in continuing or ending political conflicts, by trying to find a language to grasp recent social and political developments, or simply by continuing their practice in new, unstable times.

This collection of writings and interviews offers insight into these processes through various perspectives from curators, artists, and philosophers.

Richard Roe is a known unknown, a one-size-fits-all, a potentially everyone and actually no one. Divided into seven fragmentary sections, this memoir gives voice to the legal fictions that creep around the margins of selfhood—and that increasingly dictate the terms of economic and political process. Elke Gaugele, Monica Titton Eds.

Fashion and Postcolonial Critique Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective.

Millennium Will I Survive?

It investigates contemporary articulations of postcolonial fashion critique, and analyzes fashion as a cultural, historical, social, and political phenomenon involved in and affected by histories of colonial domination, anti-colonial resistance, and processes of decolonization and globalization. Stemming from a range of different disciplines, the contributions in this book reflect the multidisciplinary and diverse nature of postcolonial fashion research today.

Boy Vereecken Ed. The book is illustrated with a photo series from Antoine Begon, who has unpacked and photographed the pieces of evidence that comprise Crime Dossiers such as File on Rufus Ray and Murder Off Miami.

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Dedicated to the manifestation of sisterhood in art from the s until today, the exhibition and the publication focus on art that resonated with feminist perspectives on work, production, and reproduction. Donatien Grau Ed. It caused a public outcry, the artist was attacked, and the work vandalized and ultimately removed.

Andrea Pichl For a number of years, the work of Andrea Pichl has centered on the oft-derided architecture of mass-produced buildings and their position in wider architectural and historical contexts. Pichl is interested in the utopian potential of modernity that these forms convey. In her installations, photography, and paper work, the artist focuses on the question of what became of these utopias. Iman Mersal How to Mend Motherhood and Its Ghosts Iman Mersal intricately weaves a new narrative of motherhood, moving between interior and exterior scapes, diaries, readings, and photographic representations of motherhood to question old and current representations of motherhood and the related space of unconditional love, guilt, personal goals, and traditional expectations.

Millennium Will I Survive?

What is hidden in narratives of motherhood in fictional and nonfictional texts as well as in photographs? The reason is that this book is grounded in the experience of the unseen listener. Speakers are seen when they speak, whereas listeners recede into the background of the scene dominated by speakers. Natascha Sadr Haghighian How to spell the fight How to spell the fight follows a thread that has been running through our fingers from centuries past till the present day, morphing from the tangible string figures that join our hands in childhood to the more elusive computational algorithms that engage our fingers today.

Following this line of inquiry through various twists and turns, a conversation about collective agency emerges with the aim of rethinking current paradigms of cognition, education, and power. Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles based on race, class, and sexuality. Lou Cantor, Katherine Rochester Eds.

Intersubjectivity Vol. II Scripting the Human The second in a series on intersubjectivity, this collection of essays considers the relationship between performance, subjectivity, and human agency.


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Contributions explore the ways in which performance is decoupled from human embodiment via forms of mediation, mechanical reproduction, or simulation. In these intersecting yet different orientations toward life, this book finds the answer to the question: How did autonomous art become such an effective tool of the capitalist state? The tens of thousands of people who used to live in the mountainous Galain-Chaz district of southern Chechnya were deported by the Soviet authorities in the winter of , wrongly accused of having collaborated with Nazi Germany.

It is also the title of his film from , in which Khasueva returns to the site of her ancestral village for the first time in seventy-three years. What are the cultural and social implications of war and violence, and how does society respond to war?

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Witnessing becomes a way of understanding and also resetting memory. How do you trace the roots of one of the most significant cross-disciplinary unions in fashion today?

Offering complimentary perspectives on a bond that has matured over the span of a decade, and a body of work that transcends boundaries, Ruby and Simons spoke with mutual respect, trust, and a deep investment in the future. This is a story, and an exchange, that is beyond collaboration. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

Accompanying her solo exhibition at Henie Onstad Kunstsenter, this book includes stills from her film Wild Relatives , a meditative documentary capturing the transit of seeds between the Svalbard Global Seed Vault in Norway and the fields of the Bekaa Valley in Lebanon. The artist raises questions of mutual understanding through constructing forums that address shared experience.

Meg O'Rourke Ed.

Babette Mangolte Selected Writings, — A single black-and-white photograph taken by Babette Mangolte has come to epitomize New York's downtown art scene of the s. Perhaps It Is Time for a Xeno-architecture to Match documents a conversation series from January to March that explored what an intervention of the xeno might bring to bear on contemporary and future infra structure.

Hermione Spriggs Ed.

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Launched in tandem with the eponymous exhibition at greengrassi and Corvi-Mora in London, the publication features visual documentation of multiple art-anthropology exchange processes, ethnographic texts, and further written contributions that introduce contemporary Mongolia as a dynamic site for conceptual and creative experimentation. With this strategy, Thomas worked against his own historicization, erasing his name from the reigning European and North American art fields. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.

A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art. Mikkel Bolt Rasmussen Hegel after Occupy Hegel after Occupy is a Western Marxist analysis of different attempts to understand the present historical situation and the way theories of postmodernity, globalization, and contemporaneity implicitly or explicitly conceptualize the relationship between the historical present and political action.

They all persuasively describe a breakdown of former historical categories but paradoxically end up understanding this breakdown as the end of politics tout court. The book is both part and result of the intensive sharing of ideas to produce something that captures the spirit of both discussions at that time and the publication process as a temporal form.

The only performances that make it all the way Yes, but is it performable? Written between and , the texts range from public statements, poetic short prose, and film scripts to reflections on the role of the artist and essays on art for children. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants.

Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement. For two years the writing process and the artistic process were interwoven, feeding each other as they evolved. Omar Kholeif Goodbye, World! No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants.

The internet has collectively bound human society, replacing the world as the network of all networks. Looking at Art in the Digital Age , writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value.

Erik Hagen, Mario Pfeifer Eds. Profit over Peace in Western Sahara How commercial interests undermine self-determination in the last colony in Africa Profit over Peace in Western Sahara examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization.

Josephine Pryde lapses in Thinking By the person i Am In the body of work documented here, Pryde combines a series of color photographs of hands touching objects with a scale-model freight train and track, replete with miniaturized graffiti, that took visitors in a short ride through the exhibition. Through photography and sculpture, Pryde pays close attention to the nature of image making and the conditions display, subtly reworking codes and conventions to alter our cultural perception and understanding of each.

Su-Mei Tse Nested Marked by her cosmopolitan origins, between Europe and Asia, and by an attention to the sonorous dimension of the world, the practice of Su-Mei Tse involves issues such as time, memory, musicality, and language. Ellen Cantor A history of the world as it has become known to me Ellen Cantor — combined ready-made materials with diaristic notes and drawings to probe her perceptions and experiences of personal desire and institutional violence. Jennifer Bornstein Prints Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University.

These works are contextualized by earlier projects in drawing, film, and artist books that span the s to the present.

millennium will i survive as the future unfolds prepare yourself Manual

Presenting new research on the artist and providing an unprecedented overview of two decades of work, the book features eleven essays and two interviews, alongside richly illustrated project pages and texts by the artist. How do artists work today? Has the pluralism of art given way to a pluralism of roles that artists may occupy? What are the contemporary conditions of labour producing this new state of affairs, and what re-skilling does it ask of artists?

These are some of the questions addressed in The Artist As. The New Performance Turn, Its Histories and Its Institutions The choreographic turn in the visual arts from to can be identified by the sudden emergence of works created by different visual artists around the world. Each used dance or choreographic procedures to reinvent, reimagine, and reimage how the visual arts produced and conceived its images and objects.